Skip to main content

What Artists Get Paid By Spotify Direct Deal

1Spotify has recently begun not only allowing artists to directly upload their content to the streaming service, but also cutting directly deals with artists. Here we take a closer look at what exactly artists, labels, and Spotify all get out of these deals.

__________________________

Guest post by Bobby Owsinski of Music 3.0

As previously postedSpotify is now doing both direct deals with artists, and allowing them to directly upload their content onto the platform. There have been a lot of announcements to that effect, but not much on exactly what an artist receives when it comes to royalty payout – until now. Music Business Worldwide did some digging to understand the payouts in most scenarios.

2According to the article, Spotify confirmed that it’s paying 50% of the net revenue to the artist. This is pretty much what was expected, since anything less would make a direct deal of dubious value, especially when it comes to using a distributor or label.

So what does Spotify pay out to a label? After recent licensing negotiations, labels now receive 52% of the net revenue. Sounds better as a number, but don’t forget that the label pays the artist anywhere from 15 to 50% of that 52% (and 50% is only reserved for superstars).

This is how it works out in real money.

For a direct 50/50 deal:

$10,000 in net revenue

Spotify receives $5,000

Artist receives $5,000

For a label deal:

$10,000 in net revenue

Spotify takes 48% = $4,800

Label takes 52% = $5,200

Artist royalty (typical 20% deal) = $1,040

As you can see an artist makes a lot more on a direct deal so that seems attractive, but you have to weight the value of what a label can bring to the table. If a label is going to provide you marketing that you can’t get anywhere else, hopefully the net amount will be well beyond the $10k. The visibility that a label can provide is worth it in that case.

The problem is that labels have short attention spans and if you not one of the priorities, then you may not be seeing any of the possible label benefits. That’s when a direct deal starts to look pretty good.

That being said, I’d venture to say that most new artists would jump at the chance to sign with a label, especially a major. As long as Spotify is at the top of the streaming heap, there may be a better strategy to think about.

The post What Artists Get Paid By Spotify Direct Deal appeared first on CelebrityAccess.



from CelebrityAccess https://ift.tt/2xW55Ay
via IFTTT

Comments

Popular posts from this blog

APA Promotes Jules Urbanski To Music Agent

LOS ANGELES (CelebrityAccess) APA has promoted Jules Urbanski to agent in the concerts department, it was announced today by Jim Gosnell, President and CEO of APA.  Urbanski first joined APA in 2015, working in the mailroom before joining the agency’s Agent Training Program prior to his promotion. “Jules is an exceptional young man with an entrepreneurial spirit, vision and passion for the music industry,” commented Gosnell in making the announcement.  “I’ve admired his talents since first joining our team and am pleased to award his hard work and diligence with this promotion.” A graduate of the UNLV, Urbanski grew up on film and television sets with parents Diane Wilk, executive producer of The Nanny , and Doug Urbanski, Broadway producer, talent manager, and Academy Award-nominated film producer. Urbanski works closely with APA partner and co-head of talent, Jim Osborne, with whom he shares crossover clients, including T.I, Curtis “50 Cent” Jackson, and Tyrese Gibson....

Bridgestone’s New Smash Plate A Hit – Except In Rochester, NY

NASHVILLE (CelebrityAccess) Trouble appears to be a-brewin’ over a concessions item at the Bridgestone Arena in Nashville that appears to be conspicuously close to a dish that is held near and dear to the people of Rochester, N.Y. The arena, home to the NHL’s Predators and all of the arena events that cross paths with Music City, recently introduced the “Smash Plate” two grilled cheeseburgers on a base of diced potatoes and macaroni salad, smothered with onions, hot chili sauce and mustard. Intermission = the perfect time to try our “Smash Plate” It contains 2 grilled cheeseburgers on a base of diced potatoes & macaroni salad, topped off with onions, hot chili sauce, and mustard! #WPGvsNSH pic.twitter.com/XC1aZYYrLh — BridgestoneArena F&B (@SMASHVILLE_FnB) April 29, 2018 What could possibly be wrong with that? Nothing, really, unless you’re a proud citizen of Rochester, N.Y., home to a delicacy invented at the Nick Tahou Hots eatery. It has become to Rochester what ...

AWAL Hires Thomas Fiss As Vice President of Strategic Marketing, North America

LOS ANGELES (CelebrityAccess) – Kobalt’s recording arm AWAL has hired Thomas Fiss as Vice President, Strategic Marketing, North America. In this new role, Fiss will oversee creative multichannel marketing, including conceptualizing and producing content offerings and partner integrations for AWAL artists, to grow relationships with brands, media outlets and other external organizations. Fiss joins AWAL with more than 10 years of music industry and partnership marketing experience. Most recently, he served as a department head at Life is Beautiful Music Festival, where he managed brand partnerships, including strategy and execution. He is also the co-founder of Partner.ly, a software platform that simplifies the artist and brand partnership process. Prior to beginning his marketing career, Fiss was a recording artist signed to Capitol Records in the US. Commenting on their latest hire, AWAL President, North America Ron Cerrito said: “We are reimagining the construct and type of serv...